Last years of the comprador/e

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Butterfield & Swire, Nanjing office staff 1933, Bickers collection bi-s001. The comprador sits third from left.

The latest Wikileaks release has some interesting China material. My eye was caught by a practical note dated 24 March 1973 from the US Consulate in Hong Kong to the State Department, forwarding practical information about “administrative and other procedures of diplomatic missions in Peking”. This was as the US was proceeding with plans to open its mission. Amongst other interesting points was a note harking back to a figure from the past: the comprador (sometimes spelt compradore), a figure who worked at the heart of the Sino-foreign encounter:

“The Diplomatic Service Bureau [DSB] makes available a chief factotum experienced in serving foreign mission (often taken away on short notice from another mission). He functions much like the old fashioned compradore. He relays the mission’ s request to the DSB and other Chinese offices, acts as a walking telephone directory, translates, instructs the rest of the staff, and advises on procedures. Administrative functions center on him and he is overloaded with work.”

Compradors were omnipresent within businesses and in fact all institutions in treaty port China. The term covers a range of posts, from ‘general factotum’,  to a foreign firm’s Chinese business partner. This last is the form now more generally remembered, but the term was loosely and liberally applied. We have a few photographs with captions which identify compradors, such as the one above, showing the Swire comprador at Nanjing in 1933, but more of the portraits of Chinese business figures that we have are likely to have been compradors, such as this man at Jiujiang. Where the comprador was placed in a formal portrait like the Nanjing staff shot, and where, indeed, his office was placed in relation to the offices of the foreign branch managers, these were — the archives show — both practical issues of symbolic importance.

Debates about the role of the comprador, and foreign firms’ reliance on this intermediary, to the detriment of their own ability to directly engage with Chinese markets rumbled on throughout the twentieth century. In practical terms, for example, it hampered the readiness of foreign firms to get their staff to learn Chinese. Some British firms, such as Swires, systematically moved away from the ‘comprador’ system in the early 1930s, but compradors remained in some companies in Hong Kong well into the later twentieth century. For American and other diplomats in Hong Kong in the 1970s the concept was still quite familiar, familiar enough too for the consulate not to need to gloss the term in its cable to Washington DC.

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'Picturing China' on display in Beijing

British ambassador to China, Sebastian Wood CMG

British ambassador to China, Sebastian Wood CMG, opening the exhibition in Beijing.

On Thursday 21st March, the British ambassador to China, Sebastian Wood CMG, opened an exhibition of a selection of the project’s photographs, organised by the British Embassy and funded by Research Councils UK.

There have been stories in China News Service and  Beijing Times which covered the opening ceremony as well as the photo exhibition. These have been resyndicated by websites including: Xinhua News Agency, People’s Daily website, China.com.cn, and others.

The exhibition, at the J. W. Marriott Beijing, runs from 22 March until 4 April. More events are in the pipeline, including a showing soon in Chongqing. Funding for the project has also come from the Arts & Humanities Research Council, via the British Inter-university China Centre.

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Mid-day meal at a street food kitchen, Peking, 1915-1920

The Historical Photographs of China project was recently kindly given a copy of ‘The Pageant of Peking’Published in Shanghai in 1920 and bound in exquisite gold blocked turquoise silk, this coffee (or tea) table book is introduced by Putnam Weale, who waxes lyrical on ‘the Pageant of Peking, a brilliant thousand year old tale’.  Tipped in are sixty-six Vandyck photogravures taken by Donald Mennie.

Mennie was born in Scotland in 1875 or 76, and arrived in China in about 1899 to become eventually a director of A.S. Watson and Co., the pharmacy business that published the book.  Mennie’s photographs illustrated the popular book about the lives of Chinese women ‘My Lady of the Chinese Courtyard’ by Elizabeth Cooper (1914) and ‘Pictures of Peking’.  Indeed, during the 1920s, Mennie also published ‘China by Land and Water’, ‘Glimpses of China’, ‘China, North and South’, and ‘The Grandeur of the Gorges’.

Much of his published work is in the pictorialist style – his photogravures being more art objects than documentary photographs, often with rich or soft browns and subtle tones.  “His subjects evoked a romantic vision of ‘antique China’, featuring dusty caravans, misty rural valleys, old palaces, and the Great Wall of China” (Source: Mennie’s Wikipedia biography).  Donald Mennie was interned at the Lunghua Civilian Assembly Centre in Shanghai (the internment camp novelised by J.G. Ballard in ‘Empire of the Sun’, and which deeply impressed him and his writing style, see his autobiography ‘Miracles of Life’), in March 1943 and died in the Country Sanatorium for Lung Disease (Hongjiao Sanatorium), Shanghai on 10 January 1944.

Here is a slice of life example from ‘The Pageant of Peking’, a photograph entitled ‘The mid-day meal.  The pedlars and carriers have put down their loads, seemingly on a chilly spring day, to enjoy perhaps some hot soup and noodles, sitting at rough benches at a steamy street kitchen, chatting or in companionable silence, as a cauldron simmers gently on the stove.  Photographers love steam, smoke and wind-born dust, so Peking was definitely up their street.  On the building behind (softly focused naturally) is one of the ubiquitous Admiral posters, advertising Japanese liver pills.  See also ‘The hour of rest’.

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The mid-day meal. A photograph by Donald Mennie, published in ‘The Pageant of Peking’ (1920).

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Revisiting Darwent's Shanghai

Darwent revisitedOur pop-up exhibition, ‘Darwent Revisited: Shanghai now and then’, is unveiled on Saturday 9th February, at the Bristol City Museum, and then on Sunday 10th February at the city’s new M-Shed museum.  Funded by the AHRC and the British Academy, It showcases the work of project digitisation officer, photographer Jamie Carstairs, with was inspired by the Revd C.E. Darwent’s Shanghai: A Handbook for Travellers and Residents (1904; 2nd ed. 1920).

Jamie went on a first-time visit to Shanghai in May 2011, with the idea of exploring how the city might be photographed if Darwent’s instructions in his 1904 handbook about what, where and when to photograph, were followed today. Moreover, rather than simply follow them to the letter, the aim was to photograph the city in the spirit of the guidebook’s hints – inspiration was also found in Darwent’s own photographs.

Revd C. E. Darwent, Eastern Sketch, vol. 1, No. 6 (1904)

Revd C. E. Darwent, Eastern Sketch, vol. 1, No. 6 (1904)

The Yorkshireman was a leading light in the Shanghai Amateur Photographic Society, which was active on and off, with some long off periods, between 1902 and about 1924. His handbook showcases some of his work, and until an album of his original prints came to light in 2009, annotated by the man himself, the Handbook‘s grainy shots were all we had. All the prints from the album are on our site, and they showcase Darwent’s talents, especially his skill at street photography. After the demolition of the Shanghai city walls, Darwent predicted, in the 1920 edition of his Handbook, ‘…as time goes on, old Chinese life will assert itself … So that as the old life masters the new conditions the photographers of the future may hope still to find subjects’.

Woman hawking children's toy, Nanjing Road, Shanghai, May 2011. Photograph by Jamie Carstairs.

Woman hawking children’s toy, Nanjing Road, Shanghai, May 2011. Photograph by Jamie Carstairs.

This is not a definitive exhibition of contemporary Shanghai. It is a personal response to a vibrant, colourful city, informed by the hints and suggestions, as well as the confident partisanship, of a mentor from the past. Charles Ewart Darwent died in Tianjin in 1924, five years after leaving the city with which his name has become so firmly associated, and far from the town of his birth, and the city of Hull, where he had first made his name as Minister of the harbour-side Fish Street Church.

Support for the exhibition comes from AHRC through the British Inter-university China Centre.

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Patience and trust

Dog lying in the shade of a parked carriage

Dog lying in the shade of a parked carriage, Ruxton collection, Ru02-20.

Sometimes a genre photograph holds a surprise, or a redeeming punctum, as elucidated by Roland Barthes.  In this photograph (Ru02-20), taken on a hot dusty street, probably in Peking (Beijing), c.1905, a dog takes advantage of the shade of the horse and cart.  It may even be the photographer’s ever-patient (and trusting) dog?

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Laundry

Women washing laundry

Women washing laundry, Ta01-14, Taylor collection.

Women washing laundry

Women washing laundry, Wi02-04, Wilkinson collection.

These two photographs from unrelated collections show women washing clothes on rocks.  Whilst doing their own work together in a communal way, one imagines the women having neighbourly conversations, perhaps even singing.

The images have several similarities and may have been taken at about the same place.  However the photographs were not captioned and the location(s) remain unidentified.

UPDATE November 2013: The location has now been identified as Nanking (Nanjing).  The location was included in the caption in an album for a photograph taken in c. 1890, by the Methodist Episcopal Church missionary , the Revd. A.C. Wright, of this laundering place.

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Seasonal greetings!

Commissioner's Dining Room, Lappa, Macao, Christmas 1908

Commissioner’s Dining Room, Lappa, Macao, Christmas 1908, Hedgeland collection, He01-215.

Compliments of the season to all friends of ‘Visualising China‘.

 

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Christmas Quiz

A photograph of portrait sketches of foreigners, Peking, 1877

A photograph of portrait sketches of foreigners, Peking, 1877. Henderson collection, DH-s019.

This intriguing montage photograph (DH-s019) of forty sketched portraits of foreigners and one photographic portrait, is labelled “PEKING CHRISTMAS 1877”. Their faces can be studied more closely at DH-s020, DH-s021 and DH-s022.

Most of the photographs in the Henderson collection came with no captioning information. We would be most interested to know who are the distinguished-looking men and women in this remembrance of a Christmas in Peking – and the name of the artist.

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Luoyang Bridge, Quanzhou, showing oyster beds

Luoyang Bridge, Quanzhou, showing oyster beds

Luoyang Bridge, Quanzhou, showing oyster beds. Henderson collection, DH-s023.

This magnificent and famous stone beam bridge (Wan’an Bridge) in Qhanzhou, Fujian province was first built in the eleventh century; it has been restored many times since then and still stands.   The elegant granite ship-shaped piers cut the rapid current of the Luoyang River.

Oysters were cultivated around the bridge to help bind the piers and stone blocks – a pioneering example of using a living organism to reinforce a structure.  This photograph (DH-s023) was taken in the late nineteenth century, and shows what appears to be extensive oyster beds exposed at low tide.

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Winter in black and white

Sledges with passengers, Tientsin (Tianjin), 1934

Sledges with passengers, Tientsin (Tianjin), 1934, Swire collection, Sw29-122.

Breaking a way through the frozen harbour, Chefoo (Yantai), c.1925-35

Breaking a way through the frozen harbour, Chefoo (Yantai), c.1925-35, Sinton collection, Si-s17.

Zhenlong Pagoda, Red Hill, Dihua (Urumqi), 1943

Zhenlong Pagoda, Red Hill, Dihua (Urumqi), 1943, Fu collection, Fu01-053.

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